Selected writings
THE NEW YORK TIMES
Elvis in IMAX: How Newly Found Footage Became an Immersive Documentary
The Great Beatles Documentary That’s Nearly Impossible to See (Legally)
The Poster Designers Who Helped Bring Movies to Life
The Great Gritty New York Movie You’ve Never Seen
Why Directors Can’t Quit ‘Nosferatu’
One of the Most Unpredictable Actresses of the ’70s Is Back From Exile
Still Freddy After All These Years
From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence
BLOOMBERG
AI ‘Upgrades’ to Kung Fu Classics Deserve Zero Stars
Disney and Comcast's AI Lawsuit May Open a Pandora’s Box
Texas Is Going About Its Hollywood Ambitions All Wrong
‘Sinners’ Is Resurrecting the Art of Word-of-Mouth Marketing
HBO Max’s Cringe ‘Rebrand' Is Classic Hollywood
ROGER EBERT
TIFF 2025: Fuze, Glenrothan, The Last Viking (festival roundup)
Drop Dead City (review)
The Count of Monte Cristo (review)
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30 (interview)